Mallarmé and Debussy

Mallarmé and Debussy

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This book constructs a new approach to the interdisciplinary study of music and poetry by examining a series of encounters between Mallarme and Debussy. It challenges the easy metaphorical impressionism that has dominated much of the scholarly literature to date. It seeks to express in a set of analytical terms both the coherence and the affront to coherence that are fundamental to our inter-art experience. In a fresh reading of the famous lecture La Musique et les Lettres, ElizabethMcCombie argues that Mallarme's poetic theory creates an architecture for the cohabitation of music and letters. She proposes his ornamental figures of arabesque and thyrsus as performative structural motifs through which the musico-poetic aesthetic is enacted in his text. Using this interpretation of Mallarme's vision, McCombie places works by both artists alongside one another as case studies. Each becomes a filter for the other to reveal an intermediary ground defined by the specific and precise analyses of both arts. The studies develop more conceptual motifs, either from external models or from transferable elements in the Mallarmean text. The new terminology (arabesque, eclat, enroulement, eventail, explosante fixe, Mobius strip, pli, and thyrsus) foregrounds rhythmic relations of time and space; it generates, in the author's words, a poetics of hesitation. McCombie offers a model for rereading Mallarme's notoriously elusive late verse and prose and for reassessingviews commonly held about the work of both artists. But the potential of this relational discourse for literary and musical study reaches beyond Mallarme and Debussy. The apparatus of figures derived here provides a powerful tool of inter-art investigation, a necessary supplement to the individual criticisms of music and poetry, and a new critical vocabulary for illuminating modernism.The nature of the relationship of the word to music has changed over time in reciprocity with linguistic, musical, and semiotic theories. ... 1 In the Pythagorean model music, expressed in mathematical laws of proportion, was the ordering principle of the universe and, ... The acoustic drama convert the emotional paradoxes brilliantly, either following the text or diverging from it, at times taking centre stageanbsp;...


Title:Mallarmé and Debussy
Author: Elizabeth McCombie
Publisher:Oxford University Press - 2003
ISBN-13:

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